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A picture guide

What is my piece?

A picture guide to the pieces that turn up most often in collections and in estates. Find the one that looks like yours, then send us a photograph.

Large round Paracas jar, black below and painted in red and cream around the shoulder, where a modelled face sits above a figure in relief, on the dark ground

These are the usual shapes, so a piece of yours may differ in size, colour or detail and still be one of these. Where we hold a piece of the kind, with a documented history, it is pictured. If none looks right, write to us anyway.

Ceramics of West Mexico

Hollow, hand-modelled animals and figures from the shaft tombs: the Mexican ceramics that turn up most often in collections.

  • Colima dogs and animals

    West Mexico · c. 100 BCE-300 CE

    Plump, hollow animals, most often dogs, in glossy red-brown clay with a burnished surface.

  • Nayarit figures

    West Mexico · c. 100 BCE-300 CE

    Hollow figures of kneeling, seated or paired people, with painted faces and bodies and modelled jewellery.

  • Seated figures with headdresses

    West Mexico

    Hollow seated figures in red and cream slip, with a tall or horned headdress, a long nose and hands resting on the knees.

  • Standing figures

    West Mexico

    Tall hollow figures with folded arms and a banded headdress, in polished red-brown clay.

Ceramics of Peru

Painted and moulded vessels from the coasts of Peru.

  • Moche vessels

    North coast of Peru · c. 100-800 CE

    Red and cream clay vessels with a stirrup-shaped spout, or modelled as a lifelike head, an animal or a scene.

  • Chimu blackware

    North coast of Peru · c. 900-1470 CE

    Shiny black vessels, many with a single spout, often moulded as animals or figures or with raised decoration.

  • Large Nazca jar in red, ochre and black: a modelled head in a rimmed hat over a painted body, where a being with a lolling tongue holds a small figure
    Anthropomorphic jar: a mythical being holding a warrior. Nazca, Peru.

    Nazca painted vessels

    South coast of Peru · c. 100 BCE-800 CE

    Round bottles and jars painted in several colours before firing, many with two spouts joined by a flat bridge or, as in the jar pictured, a modelled head at the top.

  • Nazca bowls and beakers

    South coast of Peru · c. 100 BCE-800 CE

    Wide bowls and tall cups painted in red, cream, black and white, with frontal figures and bands of ornament.

Maya and Central America

Modelled figures and painted jars from the Maya lowlands and Costa Rica.

  • Maya figures

    Southern Mexico, Guatemala, Belize, Honduras and El Salvador · Classic period, c. 250-900 CE

    Seated figures in brown clay wearing bead necklaces, wristlets and tall headdresses.

  • Nicoya polychrome

    Guanacaste-Nicoya, Costa Rica

    Cream jars on three feet, painted in red and black bands, with a modelled animal or figure at the shoulder.

Stone and jade

Carved from hard stone, from small polished blades to seated figures.

  • Seated stone figures

    Mexico, in the Olmec style

    Smooth, hard stone in grey-green, carved as heavy-browed seated figures with round faces and incised detail.

  • Standing stone figures

    Mexico

    Small upright figures carved in dark stone, shown with the arms close to the sides.

  • Polished celts

    Mexico and Central America

    Narrow blades of polished green stone, sometimes carved with a face at the top.

Metal, shell and textiles

Pieces that were worn or hung: hammered metal, shell with inlay, and woven cloth.

  • Silver and gold beakers

    Peru

    Tall beakers of hammered metal with a figure modelled in relief and a gilt base.

  • Shell with inlay

    The Andes

    Orange, ribbed shell mounted with a small inlaid figure.

  • Mosaic discs

    The Andes

    Round discs of shell and coloured inlay worked into a pattern around a figure.

  • Andean textiles

    Coast and highlands of Peru

    Woven and embroidered cloth in red, green, blue and white, with stepped patterns and animals, often kept framed.

Something else, or not sure?

Obsidian, wood and bone turn up in collections beside the ceramics, and so do pieces that fit none of these. Send photographs of those too, and we tell you plainly what each one is and whether we can take it.

Tell us what you have

Find the culture of a piece

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Send us photographs and whatever you know. You hear back within two working days.

Tell us what you have

Or write straight to info@precolumbian.com

Tall Nazca jar in red-brown, cream and black: a modelled face with wide eyes and a long tongue under a banded cap, over a body painted with small figures